If you think that when you’ve seen one Starbucks cafe, you’ve seen them all, you need to visit the Starbucks Roastery and Reserve Tasting Room in Shanghai. The Starbucks signature mermaid and green brand elements are underplayed to the point of not being noticeable. Elegant wood and gleaming copper finishes adorn the 30,000-square-foot establishment, staffed by 400 employees. The place feels like “Disneyland” for caffeine lovers.
The sights are awesome and entertaining! A towering copper cask, adorned with more than 1,000 traditional Chinese chops (stamps) hand-engraved to narrate the story of Starbucks and coffee. A ceiling made out of 10,000 handmade hexagonal wooden tiles, inspired by the locking of an espresso shot on an espresso machine. A Roastery featuring three wood-carved bars, one of which is 88 feet long, where customers can watch beans being roasted and baristas brewing coffee using six different methods and beans from 30 countries. If that isn’t enough, an integrated AR system, built with an Alibaba web app, lets customers immerse themselves in the space through their smartphones. There is also specially crafted nitrogen-infused teas at the tea bar, and an on-site bakery offering scrumptious artisanal baked goods by famed Italian baker, Rocco Princi acclaimed from Milan to London.
With a population of 24 million people just in the city of Shanghai, even a gigantic Starbucks store can’t serve all the locals. Shanghai already has 600 other Starbucks cafes in the city, and 3,000 locations in 136 Chinese cities, with one new Starbucks location opening in China every 15 hours.
Most municipalities around the world view sewage manhole covers as a mundane part of the urban infrastructure. At best, they try to make these heavy metal plates functional and inconspicuous. Instead, cities and towns focus their civic beautification efforts on creating a broad range of public art installations — murals, sculptures, archways, fountains, and the like. But ignoring the artistic possibilities of humble manhole covers is a missed opportunity. These metal plates, typically 34 inches in diameter, are the perfect size for casting images and decorative patterns that relate the culture, history, industry, and flora and fauna of the area.
At the end of every harvest season, farming communities around the world celebrate with festivals, parades, and the crowning of harvest queens. (e.g., in 1948, an unknown actress named Marilyn Monroe won the title of Artichoke Queen in Castroville, Ca.) These festivals are usually the most exciting local events to happen all year. Except for folks from neighboring farm communities, they don’t draw many out-of-towners, much less real tourists. But in the rice-growing region of Northern Japan, tourists flock in for the Wara Art Matsuri.
Nike opened a new pop-up running track in the heart of Manila, Philippines. Designed by BBH Singapore, the Unlimited Stadium installation is shaped like the sole of Nike’s new Lunar Epic shoe. Lined with LED screens, the 200-meter racetrack invites runners to run alongside their own digital avatar. But first runners must attach a radio-frequency sensor to their shoe to record their initial track time. With this individualized data, runners are challenged to outdo their avatar, besting their own record with each lap. The temporary running track is able to accommodate 30 runners at a time.
Move over Paris, you are no longer the “city of lights.” In the 21st century that title goes to Sydney, Australia. Its annual Vivid Sydney festival transforms the city into a magical wonderland of light art sculptures, cutting-edge light installations, and gargantuan projection mapping extravaganzas. Vivid Sydney engages lighting artists, designers and manufacturers from around Australia and the world to illuminate, interpret and transform Sydney’s urban spaces through their creative vision. A contemporary music program matches the mood of the surreal display. No need to paint buildings in psychedelic colors or shoot fireworks into the night sky. Light is a malleable art form that treats Sydney Harbor as an inviting canvas morphing, evolving and bursting into a kaleidoscope of hues that vanish with the dawn. The 2017 Vivid Sydney festival is slated for May 26 to June 17, and is the largest show of its kind in the world. Read More »
Lawrence King has produced two new books in a design series for the enjoyment and education of designers, illustrators and marketers worldwide. The Illustration Idea Book and The Typography Idea Book, yet again combine the genius of Steve Heller and Gail Anderson. With descriptive illustrations from dozens of international masters of design and illustration, including Alan Fletcher, John Cuneo, Milton Glaser, Christoph Neiman, Paula Scher, Neville Brody, Barry Blitt, A.M Cassandra, Saul Bass, Steven Doyle, Niklaus Troxler, Zuzanna Licko, Anita Kunz and dozens of other design legends.
March 16 – July 14, 2019
Wanxin Zhang: The Long Journey is the first museum solo presentation of Wanxin Zhang’s work in San Francisco. At The Museum of Craft and Design, this exhibition is a survey of Zhang’s ceramic sculpture from 2006 to 2017 and celebrates the artist’s signature style—a hybrid of California Funk influence and nods to Chinese history.
The American Institute of Graphic Arts (AIGA) is holding its annual design conference in Pasadena from April 4-6, 2019. This will be the first time in years that the conference has come to Los Angeles. These three days present a prime opportunity for new designers to meet industry professionals, as well as discover new skills in the multifaceted design field.